La scrittura in transito. Lessico famigliare da Natalia Ginzburg a Tullio Pinelli
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Abstract
In order to analyze a literary work and its film there is a large field of intermediate writing, real transational writings, its analysis allows to follow the genetic path of the film. The essay analyzes, in this respect, some still unpublished documents: Tullio Pinelli's treatment for a film project, never realized, for the Italian television, taken from "Lessico Familiare" by Natalia Ginzburg and the additional notes written by the same author in view of the writing of a screeplay.
Keywords
- Transitional Writing
- Screenplay
- Treatment
