Abstract

The article focuses its attention on Gilles Deleuze and Felix Guattari peculiar interpretation of some key themes of Pasolini's thought like the use of the dialect, the indirect free speech, and some strongholds of Pasolini's cinema. The idea is that they give to Pasolini's themes both historical rigorous interpretation and demonstrate that he is an absolutely actual thinker. In particular, the article argues that Pasolini contribution allows processing the idea of a minority development as a form of radical and antagonist process of subjectivation.